HIGH QUALITY HANDICRAFTS IN SRI LANKA

About us

150

Years of Experience

in This Industry

About US

The art of Sri Lankan Masks was existing from time immemorial. Mask carving is a local tradition in the southern coastal region in Sri Lanka. Ambalangoda is well known for traditional masks carvings and masks dancing. The present institution named ‘Ariyapala Traditional Masks’. The history of this tradition date back for many centuries and has developed into perfection in the hand of the Wijesooriya family in Ambalangoda. Ariyapala Tradition passing through their seventh generation of traditional masks carving and Low country dancing. The marks of this family’s cultural activities have become a part of Ambalangoda history. “Ariyapala Wijesooriya Gurunnanse”, one of the greatest master craftsmen in Sri Lanka. He handed over his profound knowledge in all traditional masks carving and dancing into Mahindapala Wijesooriya one of the nationally and internationally award winner master carver.

Our Vission

To spread the power of visual art.

Our Mission

Ariyapala Mask Museum of Art is a space of wonder and discovery where art comes alive.
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Quality Sri Lankan Handicrafts Products

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Our History

This museum is designed to introduce into the richness of the mask tradition of Ambalangoda and to strengthen this cultural heritage. The museum, the workshop and the small library (containing all available anthropological literature on masks performances) may serve as a centre for traditional arts and crafts and for research as well. The Karava people (fisher community) living in the western and south-western coastal areas of Sri Lanka have developed a great variety of social customs. The south-west coast area, es-specially Ambalangoda is particularly well known for its masks plays and rituals that are performed on different accasions. Among these performances there are two famous ones, the Kolam Maduwa and the rituals to expel evil demons which cause diseases. For many decades, the famous masks have been highly appreciated by private and museum collectors and other experts. But for economic reasons mainly especially the Kolam Dances fell into disuse during the last 3o to 5o years and were performed only very seldom, on the other side, mask carving has now developed into a cottage industry. Of all the well known carvers of the area, only the Wijesooriya family is now preserving the elaborated traditional art of carving masks. In order to save the local cultural heritage, the Wijesooriya family has under¬taken the tasks to carve a complete set of all masks, 12o in number. For lack of space, how¬ever, not all these masks can be exhibited here. To illustrate this revival in traditional car¬ving and mask performances two sets of masks are exhibited here. They belong to the Kolam Maduwa and to the Sanni Yakuma ritual as per¬formed in Batapola and Ambalangoda in 1985 and 1986.